AMX AXB-MPE Plus Manual de usuario Pagina 201
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Effects overview Effects in each mode
195
Thenyoucanusethemastereffectstocreateoverall
ambience,andusethetotaleffectstomakefinal
adjustments.
InCombinationmodeyoucanmakethesesettingsfor
eachcombination,andinSequencermodeyoucan
makethemforeachsong.
InSequencermode,youcanswitchbetweeneffectsor
modifytheeffe
ctparametersandrecordthesechanges,
sothateffectswillswitchautomaticallyoreffect
parameterswillbemodifiedautomaticallyasthesong
playsback.
Sampling mode
InSamplingmode,theanalog,S/P DIF,andUSBaudio
inputs,aswellasplaybackfromaUSBCDdrive,can
beprocessedbyinserteffects,mastereffects,andtotal
effects,andthensampled.UsetheP0:Recording–
AudioInputpagetomakeaudioinputsettingsfor
Samplingmode.ThesesettingsapplyonlytoSa
mpling
mode.
Samplesthatyou’veassignedasamultisamplecan
alsobeprocessedbytheinserteffects,mastereffects,
andtotaleffects,andthenresampled.
Audio Inputs
Youcanalsouseaudiofromtheanalog,S/P DIF,and
USBaudioinputsinPrograms,Combinations,and
Songs.
Youcanapplytheinserteffects,mastereffects,and
totaleffectstoexternalaudiosourcesandsample
them,orusetheKRONOSasa6‐in(AUDIOINPUT1‐
2,S/P DIFINL,R,andUS
B)6‐outeffectprocessor.
Youcanalsouseanexternalmicinputtocontrola
vocodereffect(093:Vocoder),andmodulatethe
internalsounds.Forexamples,see“Vocoder(Program
mode)”onpage 843oftheParameterGuideand
“RhythmicVocoder(Combinationmode)”onpage 844
oftheParameterGuide.
InSeq
uencermodeyoucanalsousetheeffectswhen
recordingexternalaudiosourcestoaudiotracks.
UsetheP0–AudioInput/Samplingpageofeachmode
tomakeaudioinputsettings.Alternatively,youcan
checkUseGlobalSettingandmakethesesettingsin
theGlobalmodeP0:BasicSetup–Audiopage.
Normallyyo
uwillle
aveUseGlobalSettingchecked.
Uncheckthisifyouwantprogramsandcombinations
tousetheirownsettings.Forexamplewhenwriting
theprogramasavocodereffectprogram.
Wheneffectsareappliedtotheaudioinputs,certain
effecttypesorparametersettingsmaycause
oscillationtooccur.Ifth
isoccurs,adjusttheinput
level,outputlevel,oreffectparameters.Pleasebe
awareofthisparticularlywhenusinganeffectthat
hasahighgain.
CombinationandSequencer
modes
Timbre 1 /MIDI Track 1 EQ
Timbre 16 /MIDI Track 16 EQ
Audio Track 1 EQ
Audio Track 16 EQ
Insert Eect 1–12 Total Eect 1–12
Master Eect 1, 2
Return
OUTPUT
L/MONO, R
Send
Samplingmode
Insert Eect 1–12 Total Eect 1–12
Master Eect 1, 2
Return
Sample
Recording
Send
Sampling
AUDIO INPUT (1, 2)
USB B (1, 2)
S/P DIF IN (L, R)
Audio CD
EQ Insert Eect 1–12 Total Eect 1–12
Master Eect 1, 2
Return
Resampling
Send
AudioInput
Oscillator1 Filter1 Driver1 Amplier1
Oscillator2 Filter2 Driver2 Amplier2 EQ Insert Eect 1–12 Total Eect 1–12
Master Eect 1, 2
Return
OUTPUT
L/MONO, R
Send
S/P DIF IN (L, R)
AUDIO INPUT (1, 2)
USB B (1, 2)
- Operation Guide 1
- About this manual 2
- Contents 3
- 3. Data entry 8
- 4. DISK access indicator 9
- 5. MODE buttons 9
- 6. UTILITY buttons 9
- 7. BANK SELECT buttons 10
- 8. KARMA buttons 10
- LINKED LED 11
- 17. TEMPO controls 12
- 18. SAMPLING buttons 12
- 19. TouchView display 13
- Shortcuts 13
- Rear panel 14
- 7. S/P DIF IN & OUT 15
- 8. Pedals 15
- TouchView user interface 16
- Cancel button OK button 17
- Text edit button 17
- Other objects 18
- Basic information 19
- About the KRONOS’ modes 19
- Sampling mode 20
- Global mode 20
- Disk mode 20
- About the KRONOS’ PCM memory 22
- About polyphony 22
- Page tab 23
- Basic Vector tab 23
- Vector Control tab 23
- VALUE entr y 24
- 5. Writing and saving 25
- Turning the power on/off 26
- Connections 26
- Introduction to KRONOS 28
- AUDIO INPUT 1, 2 28
- Connecting a damper pedal 28
- Connecting a foot switch 28
- Connecting a foot pedal 28
- 5. Connecting USB devices 29
- About the software 30
- Please note before use 30
- Windows System Requirements 30
- Macintosh System Requirements 30
- Playing and editing Programs 31
- Selecting by bank and number 32
- Selecting by Category 32
- Using the Favorites check-box 33
- Selecting Programs via MIDI 33
- Using Controllers 34
- Ribbon Controller 35
- SW1 and SW2 35
- Using the Lock function 35
- Damper Switch vs. Half-Damper 37
- Damper and MIDI 37
- Enable Pad Play button 38
- Copying pads 38
- Using Chord mode 39
- Basic and Advanced modes 40
- Creating and editing chords 40
- Selecting chords 40
- Playing chords 41
- Chords and MIDI 41
- Easy Program Editing 42
- Knob edits can be saved 43
- Using Tone Adjust 44
- Using COMPARE 45
- Detailed Program Editing 46
- Editing HD-1 Programs 46
- Working with Multisamples 47
- Using LFOs 48
- EGs (Envelope Generators) 49
- Using the AMS Mixers 50
- Controlling Pitch 51
- Using Filters 51
- Filter Types 52
- Modulating the filters 53
- Using the Amp section 54
- Amp modulation 55
- Using EXi 56
- Using Vector Synthesis 57
- Vector CC Control 58
- Vector CC MIDI Output 58
- Vector Synthesis System 58
- Vector Volume Control 58
- Insert Effects 59
- Master Effects 59
- Playing Combinations 61
- Selecting Combinations 61
- Selecting by Bank and number 62
- Easy Combination editing 64
- Adjusting the mix 64
- Easy KARMA editing 65
- Detailed Combination editing 66
- Combination overview 66
- Program B 67
- Program A 67
- MIDI Settings 68
- MIDI filter settings 69
- Timbre Parameters: OSC 69
- Use Program’s Scale, Scale 70
- Sequencer overview 73
- About the KRONOS’ sequencer 73
- Sequencer mode structure 73
- Make Audio CD 74
- Playing Songs 76
- Playback 76
- LOCATE settings 77
- Loop playback 77
- CONTROL ASSIGN 78
- EXTERNAL 79
- RT KNOBS/KARMA 79
- TONE ADJ/EQ 79
- MIDI recording 80
- Preparations for recording 80
- 81
- 81
- Recording MIDI in real-time 82
- Overwrite 83
- Manual punch-in 83
- Auto punch-in 83
- Loop All Tracks 84
- Multi (multitrack recording) 84
- MIDI step recording 85
- Setup in Sequencer mode 87
- Program) 87
- Recording patterns 90
- Pattern Select 91
- Other ways to record 92
- Audio recording 93
- Audio recording overview 93
- Temporary audio files 94
- Use Global Setting 94
- Audio Input settings 94
- Audio Track Mixer 96
- REC Source 96
- Recording procedure 97
- Audio Track Recording Level 98
- Eect unit 99
- Set the recording level 100
- Listen to the recorded result 100
- Rehearse 102
- Bouncing audio tracks 103
- Song editing 107
- MIDI Tracks 107
- Audio Tracks 108
- Song editing Audio Tracks 109
- Creating RPPR data 110
- RPPR playback 111
- Recording an RPPR performance 111
- Sampling in Sequencer mode 113
- Saving your Song 113
- KRONOS sequencer file formats 114
- The Compare function 114
- Memory Protect 115
- About MIDI 115
- Set Lists 117
- Selecting and playing sounds 118
- Selecting Set Lists 118
- Selecting Slots 119
- Editing Set Lists 120
- Detailed Set List editing 121
- Saving your edits 122
- Overview 122
- Saving Control Surface edits 123
- Graphic EQ 123
- Smooth Sound Transitions 124
- Other details 125
- Sampling overview 127
- About sampling on the KRONOS 127
- Samples and Multisamples 128
- Multisamples 129
- Using multisamples 129
- Preparations for sampling 130
- Audio Settings 130
- Setting the recording level 132
- (Recording Setup) 132
- Recording Level [dB] 133
- Metronome Setup 133
- Sampling Setup 133
- Sample Time 134
- Using the metronome 135
- Basic examples of sampling 139
- Hear the sampled result 140
- Turn looping off 140
- Record the next sample 141
- Connect a mic 141
- Editing loops 143
- Loop settings 144
- Using Time Slice 145
- Sample waveform editing 148
- Multisample editing 149
- Sampling from an Audio CD 149
- Auto Sampling Setup 153
- In-Track Sampling 155
- Global mode overview 159
- Global Settings 160
- Basic Setup 160
- Global audio settings 162
- MIDI settings 162
- Creating an External Setup 163
- Selecting External Setups 163
- Assignable Switch 163
- Assignable Pedal 163
- Creating user scales 164
- Memory usage graphic 167
- Using Wave Sequences 169
- Wave Sequence Overview 169
- Programming Basics 169
- What’s in a step? 170
- Setting up the loop 170
- Using Insert/Cut/Copy/Paste 171
- Using rhythmic Wave Sequences 172
- Using Swing 173
- Keeping notes in sync 173
- Crossfaded Wave Sequences 174
- Modulating Wave Sequences 175
- Saving Wave Sequences 176
- Using Drum Kits 177
- Drum Kit Overview 177
- Before you start editing… 177
- Editing Drum Kits 178
- tothe 179
- Saving Drum Kits 180
- Saving data 181
- Writing to internal memory 182
- Editing names 183
- Where can names be changed? 184
- Memory protect 185
- Writing Global settings 185
- Types of media you can use 186
- Media setup 186
- Split files 187
- Formatting media 188
- Loading data from disk 190
- Supportedfiletypes 192
- Creating audio CDs 195
- Saving Track Lists 196
- Playing audio CDs 197
- Other disk operations 198
- Setting the date and time 198
- Using Effects 199
- Effect I/O 200
- Effects in each mode 200
- Audio Inputs 201
- Effects selection and routing 202
- Using effects in Programs 202
- Master effects 203
- Total Effects 204
- Insert effects 205
- Routing an external input 206
- Detailed effects editing 209
- Dynamic modulation (Dmod) 209
- MIDI/Tempo Sync 209
- Common FX LFO 210
- Effect Presets 211
- Using KARMA 213
- RTC Model 214
- Auto RTC Setup 215
- ON/OFF switch 215
- LATCH switch 215
- MODULE CONTROL switch 215
- KARMA CONTROLS sliders 1–8 216
- KARMA SWITCHES 1–8 216
- KARMA SCENES 1–8 216
- SCENE switches 216
- Performing with KARMA 217
- Using the KARMA controllers 218
- KARMA on/off 220
- Editing KARMA 223
- Editing KARMA in Program mode 223
- Setting KARMA’s keyboard zone 224
- SW 1–8 Off = MIN, On = MAX 226
- Switching KARMA on/off 227
- “Run” and “Solo” settings 227
- Selecting a GE 227
- MIDI I/O channel settings 227
- Setting example 1 228
- Setting example 2 228
- GE Real-Time Parameters 229
- Dynamic MIDI settings 230
- Specifying the random seeds 231
- Using KARMA in Sequencer mode 232
- Auto Song Setup 232
- Synchronizing KARMA 235
- Synchronization basics 235
- Slave operation 236
- Master operation 236
- Using the Drum Track 237
- Setting the tempo 238
- Linking with KARMA 239
- Drum Track settings 241
- MIDI in and out 242
- Drum Track MIDI in and out 242
- Settings in Program mode 243
- Synchronizing the Drum Track 244
- Creating Drum Track patterns 245
- Preparing a user pattern 245
- Appendices 247
- Audio input and output 248
- Programs and Combinations 249
- Loading OASYS-format Songs 250
- Sampling 251
- Drum Track 253
- Drum Kits 253
- Wave Sequences 253
- Disks, CDs, and USB Media 254
- Other problems 255
- A (ADC–Are You Sure) 256
- B (Buffer) 256
- C (Can’t calibrate–Completed) 256
- D (Destination–Disk) 257
- E (Error–Exceeded) 258
- F (File–Front) 259
- I (Illegal–Index) 260
- M (Master–Multisample) 261
- P (Pattern–Program) 264
- R (Rear sample–Root) 265
- S (Sample–Source) 265
- T (The clock–Track) 266
- W (Wave) 267
- Disk and Media information 268
- Restoring the original sounds 269
- Specifications 270
- Specifications Hardware 275
- MIDI Implementation Chart 277
- IMPORTANT NOTICE TO CONSUMERS 279
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